Ibram Lassaw
(1913 - 2003)

Born in Alexandria, Egypt, Ibram Lassaw (1913-2003) moved to America in 1921. Influenced by Alexander Calder, Lassaw began to create sculpture in the 1930s. His work is most noted for open-space constructions achieved through welding. His first open-work sculptures were influenced by the styles of Mondrian and Miro, in which he struggles with representing the free and controlled. As his work developed, Lassaw became one of the first American sculptors to abandon conventional techniques and embraced an abstract style that employed space as a dominant structural role. Lassaw produced sculptures that allowed the eye to ‘enter into’ the spatial area without having to walk around it, as in older styles. His vision belongs to the New York abstract expressionist style, in which he participates in immediate inspiration and apparent accident, in which he used to focus on the concept of structure isolated in infinite space.
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- Ibram Lassaw, “Chess Problem”
- Executed 1961
- Copper, Bronze and Silver sculpture
- Signed and dated verso
- Sold with original receipt from 1963
- 6.5”h x 10.5” x 7.5”
- Provenance: Peter and Elizabeth Rubel(Purchased at Samuel Kootz Gallery, New York, January 1963)
- December 2009 Auction
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- Ibram Lassaw, “Arch”
- 1970
- Lassaw inventory # 259
- 11”h x 13” x 7”
- Exhibited: “Artists of the region: Hedda Stern & Ibram Lassaw” Guild Hall, East Hampton, NY 1971
- December 2009 Auction