From the Collection of the Artist

Isamu Noguchi had two permanent homes before his death in 1988 although he rarely spent more than four months at a stretch at either of them. His home in New York was a small penthouse apartment on East 69th Street, and his other was a reconstructed Samurai house on the Island of Shikoku in Japan next to the stone carving facility where he produced most of his hard stone sculptures. The 69th Street apartment in Manhattan was convenient for him as his studio in Long Island City, Queens was a short Volkswagen Rabbit ride across the 59th Street bridge.

By the time Noguchi died, I had worked for him for eight years as a studio assistant and studio manager. After his death, I continued to work for his foundation and subsequently The Noguchi Museum for a total of thirty years in the capacities of collections manager, registrar, foundation liaison to the board of trustees, and eventually chief curator for his museum. His executors distributed some of what was considered then the less valuable contents of his apartment. They offered me, and I eagerly accepted, Noguchi’s custom Issey Miyake tuxedo that was designed for him when he received the National Medal of the Arts Award from President Reagan. The executors also gave me his Eames Aluminum Group Side Chair, a dresser, and a two-part shelving unit, furniture items situated in his bedroom.

Isamu Noguchi. Sketch of cabinet from sketchbook, c.1970-75. Pencil on paper. 10 5/16 x 7 1/8in. ©The Isamu Noguchi Foundation and Garden Museum, New York / Artist Rights Society (ARS), New York.

His one-bedroom apartment on 69th Street, which he acquired in the late 1960s, was modern and modest. The living room area had tatami, but the rest of the apartment was in a conventionally western style. This shelving unit in birch veneer is tall with long clean lines, almost 95 inches high. The two units are modular and perhaps because of their simplicity and common materials, could easily be overlooked as something Noguchi designed. He made a drawing for this shelving unit for his cabinet maker, Erwin J. Fehrenbach, who also worked out of Long Island City. The drawing is by Noguchi’s hand and in the archives of The Noguchi Museum.

Bonnie Rychlak, Former Chief Curator of The Noguchi Museum

Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.

Isamu Noguchi

Isamu Noguchi 1904–1988

Isamu Noguchi was the son of Yone Noguchi, a Japanese poet, and Léonie Gilmour, an American writer. He was born in Los Angeles in 1904 but lived in Japan from the age of two until 1918 when he returned to the United States to attend school in Indiana. In 1922 Noguchi moved to New York to study pre-medicine at Columbia University. He also took night courses in sculpture with Onorio Ruotolo and soon after, he left Columbia in pursuit of a career in the arts.

In 1927 Noguchi received a Guggenheim Fellowship for a trip to Paris and the Far East. For six months in Paris, he worked in the studio of Constantin Brancusi and his own work became more abstract as Noguchi explored working with stone, wood and sheet metal. Noguchi returned to New York and in 1929 he met R. Buckminster Fuller and Martha Graham, colleagues and friends with whom he would later collaborate. In 1938 Noguchi was commissioned to complete a work for the Associated Press building in the Rockefeller Center in New York. Marking his first public sculpture, this work garnered attention and recognition for the artist in the United States.

Auction Results Isamu Noguchi