The unpredictability is what I like to look at. I don’t like the terms art or artist. I like the idea of doing what I do in terms of exploration.
Ed Moses 1926–2018
Los Angeles painter Ed Moses was among the core artists associated with Ferus Gallery and the southern California “Cool School” that emerged in the 1950s and 1960s. His protean painting style ranged from early investigations of Abstract Expressionism to the grid paintings developed in the 1970s to the later “Crackle Paintings.”
Moses was born on a boat sailing from Hawaii to Long Beach, the city where he would spend much of his early life. After dropping out of high school in favor of the Naval Medical Corps and unsuccessfully pursuing the pre-med program at Long Beach City College, Moses eventually enrolled in art classes and received his Master of Fine Arts from UCLA. The painter Craig Kaufmann was a fellow UCLA classmate and introduced Moses to Walter Hopps and Ed Keinholz, the proprietors of the new but influential Ferus. Moses unconventionally opted to mount his thesis exhibition as a solo show at Ferus, which featured Abstract Expressionist canvases in the manner of Arshile Gorky.
Moses aimed to explore the parameters and possibilities of color, structure, and technique in all of his various approaches to painting. He began working with diagonal and perpendicular lines in the 1970s, creating grid-like works that recalled a more painterly Mondrian. This work evolved in the 1980s to include what the artist called “apparitions” and “cloud covers,” wherein thin, indeterminate areas of paint covered the canvas. In 2012, Moses began working on his “Crackle Paintings,” canvases that he layered with color and then punched with his elbow or first to create fissures and cracks.
Today, works by Ed Moses are held in the collections of the Los Angeles County Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, and the Whitney Museum of American Art, among others.
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