Betty Asher

Los Angeles Art Heroine

Betty Asher with Marcel Duchamp, 1963

Described as a "triple threat" by critic Christopher Knight, Betty Asher was a collector, curatorial assistant, and gallery owner credited with helping to develop Los Angeles's identity as a cultural hub. Asher moved from Chicago to LA with her husband in 1941 and began seriously collecting in the 1960s. She was especially drawn to Pop art and, during that same decade, she seeded her extensive collection of artist cups and saucers with the acquisition of several mugs by Ken Price. Many of those sculptural vessels are now in the collection of the Los Angeles County Museum of Art, where Asher worked as a curatorial assistant from 1966 to 1978. She left that position to co-found the Asher/Faure gallery with Patricia Faure, which opened in May 1979 at 8821 Santa Monica Blvd. in West Hollywood. Among the artists Asher championed and collected were Bruce Conner, Joe Goode, George Herms, Ynez Johnston, Roy Lichtenstein, Ed Ruscha, Andy Warhol, and Emerson Woelffer. Asher passed away in 1994 at the age of eighty, leaving behind a Los Angeles whose vivacious art scene she helped bring into being. 

Art doesn't transform. It just plain forms.

Roy Lichtenstein

Roy Lichtenstein 1923–1997

Roy Lichtenstein is one of the originators of the Pop Art movement, famed for paintings that take kitsch and transform it into culture. Lichtenstein was born in New York City in 1923. Growing up, he took art classes at the Art Student League where he created realist paintings. Lichtenstein continued his study of art at Ohio State University but, with the advent of World War II, he enlisted in the army in 1943. Lichtenstein returned to Ohio State after the war to finish his master’s degree in studio art. While Lichtenstein was teaching art at Rutgers University, he became close with fellow artist Allan Kaprow, who introduced him to Claes Oldenburg. It was during the 1960s that Lichtenstein began experimenting with what would become his signature style of taking images from comic books and newspapers and reproducing them on a large scale, calling attention to the flatness of the imagery with his Ben-Day technique of painting dots. In 1962, Lichtenstein got his first break with a one-man show at the Leo Castelli Gallery, which sold out before it opened.

Later in his career, Lichtenstein began to cleverly re-appropriate the work of fellow modern masters like Warhol, Picasso, and Mondrian, either by overtly miming the imagery or by placing these works of art into his Interiors series of paintings. The public alternatively lauded and reviled Lichtenstein for his quiet commitment to painting popular culture, and was often met with mixed feeling; in 1964 Life magazine published an article about him entitled “Is He the Worst Artist in America?” Regardless, Lichtenstein’s place in the canon of modern art is firmly established, and his works are found in major museums across the world. Lichtenstein passed away in 1997.

Auction Results Roy Lichtenstein