The Mariner IV spacecraft was managed by scientists of NASA JPL. It captured the first images of another planet ever returned from deep space.
The photographs were taken by a television camera that was nearly 150 million miles away, farther from Earth than any camera had ever traveled before. It was riding on Mariner IV, which, after an interplanetary journey of 7 1/2 months, flew within 9847 kilometers of Mars on July 15, 1965. It took more than 8 hours for the spacecraft to send across some 150 million miles the 240 000 bits that constituted each photograph. Mariner IV’s camera, its shutter automatically operating every 48 seconds as red and green filters were alternated before its lens, took a total of 21 complete pictures and a fraction of another. These pictures provided man with his first chance since the invention of the telescope to view the surface of Mars without the hindrance of ‘straining to see through the Earth’s atmosphere like a driver peering through a rain-spattered windshield,’ as Dr. Robert Jastrow has expressed it. (Cortright, pg. 130)

The images covered a discontinuous swath of Mars starting near 40° N, 170° E, down to about 35° S, 200° E, and then across to the terminator at 50° S, 255° E, representing about 1% of the planet’s surface.
Photograph No. 11 was the best one taken by the probe, covering the Atlantis Basin between Mare Sirenum and Mare Cimmerium. The 96-mile diameter crater in the center was later named Mariner to honor the spacecraft.
“The historic value of these photos is clear. Their scientific value lies primarily in their indication of the existence of clouds and its demonstration of the importance and feasibility of imagery as a scientific tool for planetary exploration. Many scientists before that time had considered the surface of Mars to resemble more closely that of the Earth than that of the Moon. These pictures, portending a complete rearrangement of Mars on the family tree of the solar system, must be regarded as one of the high points of discovery of the space age, if not of the 20th century. Because of the speed with which photographic data can be disseminated, and the universal understanding of pictures, the entire world truly shared in the excitement of this discovery.”
—Bruce Murray, of the California Institute of Technology (Cortright, pg. 131)
Learn More about this Collection

Read The Photography of Another World: The Artistic Heritage of Apollo (1961-1972)

Explore the Timeline for Project Apollo: Manned Space Missions, 1961-1972

© All texts by Victor Martin-Malburet